You just have to love Aprilynne Pike. Not only is she the #1 NYT Bestselling author of WINGS, SPELLS, and the upcoming ILLUSIONS, but she's down to earth, with a dry wit and an excellent sense of who she is, where she's going, and what she needs to do to get there. She's humble, ever trying to improve, and willing to share what she knows with those of us who haven't "made it" yet. She was my bootcamp instructor at LDStorymakers in 2010 and she completely tore my pitiful chapters to bits. It was awesome. So is she.
Tonight, Aprilynne taught us how to create a simple outline. Here's the basics:
Draw a big timeline long enough for 60 ticks.
Mark a tick about 5 ticks from the beginning for your inciting incident:
This should fall within the first ten pages of your book
This is where your plot is set in motion
Mark a tick about 5 ticks from the end for the climax (where everything goes boom)
Around 25% from the start (with 60 ticks that's... carry the 1... 15 ticks) is your first Turning Point
This is where everything goes in a different direction
Harry discovers he's a wizard, Bella discovers Edward is a vampire, Marly appears to Ebeneezer
Around 75% from the start (calculating... 45 ticks) is your second Turning Point
Once again, everything changes
Main suspect is murdered, Darth Vader is Luke's father?, Westley stops being mostly dead
Fill in the rest with plot points--one per tick
Plot points drive the plot--they are interesting and active
Romeo goes on vacation is NOT a plot point
Romeo leaves town hours before the letter reaches him IS a plot point
Baby has green eyes is NOT a plot point
Detective realizes green-eyed baby can't come from brown eyed parents IS a plot point
Aprilynne also gave us a lot of advice on how to be a discovery writer ("pantser") AND use an outline (plan the main ticks and discovery write the rest), how to make sure your book has enough emotion, and how to deal with love triangles. Plus, we talked a bit about her books. :) (Did I mention ILLUSIONS is coming out on May 3?) Listen to it here:
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